It’s in the natural order to see politicians lead journalists and the public in circles. Their job serves as spin to make the public feel good about who is representing them, and they are excellent in making us feel that we need whatever they provide. At the time of writing Adelaide sets a good example with their stadium debate: two parties promising different versions of the same outcome. Many think it’s the greatest prospect for the city yet; others think the money could be spent elsewhere. Either way it’s happening and it all comes down to who we vote into power. Because it’s these people who call the shots. And whatever democratic government you’re looking at it’s the same principle. But when the stakes are much higher, communication is the most important key.

It’s odd that The Soloist is playing quietly into cinemas during the early days of September, as if deliberately out of earshot of the upcoming awards season. It looked set to be a sure-fire Oscar contender; not only does it star two of Hollywood’s finest actors, Robert Downy Jr. And Jamie Foxx, it’s also based on a true story that deals with mental illness, poverty and the human spirit. How could the Academy resist?