If there’s one thing to admire about director Tony Scott (The Taking of Pelham 123, Déjà Vu), it’s that he doesn’t bother trying to please everyone. While other filmmakers have taken on the role of mad scientist, desperately mixing together action, comedy and romance  in the blind hope that it will result in box-office dynamite, Scott is happy doing what he [...]

In The Taking of Pelham 123, Tony Scott’s camera zips around like paranoid fly, orbiting his cast like it hasn’t got anything better to do. It appears Scott grows restless because he desperately wants to make a 90 minute long music video, but has been told by his producers he must make a film about a heated phone conversation instead. Mind you, it hasn’t stopped him from trying; Pelham is packed with enough rap music, nauseating jerks, speed shifts and freeze frames to almost, so nearly, convince us something actually interesting is occurring on screen.