A gangster movie out of Iceland, Black’s Game [Svartur-Leik] was executive produced by Danish director Nicolas Winding Refn. As such, comparisons to his recent Drive — the best film of last year — are inevitable and perhaps not unwarranted. Both films are unashamed in their attempts to make every frame as cool as humanly possible. But while Drive employed ice-cold restraint and was a success, Black’s Game goes the [...]

“All it takes for evil to succeed is for good men to do nothing”. Never has this famous saying been truer than in the case of the brutal stabbing murder of Kitty Genovese in New York in 1964, a crime that occurred within earshot of thirty-eight people, none of whom lifted a finger to prevent it. A grim indictment of human cowardice and apathy, the case has been referenced and [...]

In the back of an ambulance, a paramedic tries to keep a critically injured car-crash victim talking. He asks her name, and if she has any siblings. At first it seems like he’s just trying to help her remain conscious, but then his questions grow more obscure and personal. It’s just one of many early clues in Alps that something in this world is seriously amiss. This new film from [...]

In Tetsuo: The Iron Man, a man’s penis turns into a power-drill while having sex with his wife. She’s into it. In the sequel, Body Hammer, a man’s arm ruptures and transforms into a gun, which he then uses to shoot his infant child. Japan’s answer to David Cronenberg (The Fly), the films of Shinya Tsukamoto have always been horrifically confronting. But his latest outing – Kotoko – deals less [...]

In Room 514, a young, idealistic military investigator tries to get to the bottom of alleged abuses of Palestinian civilians by a decorated Israeli commander. A minimalist low-budget drama set largely in the eponymous interrogation room, the picture is earnest in its attempts to explore the difficult issues it raises, and is at times compelling in its storytelling. But the ugly camera-work and unpolished script are such a constant hindrance, [...]

Prolific Japanese filmmaker Takashi Miike is best known for ultra-violent, controversy-sparking pictures including Audition, Ichi the Killer and last year’s 13 Assassins. His most recent film, however, might be most readily described as a family comedy, based on a popular Nintendo video game called “Pheonix Wright: Ace Attorney”. Well, as it turns out, when it comes to Miike I’ll take bloody over funny every time. Goofy without being amusing, [...]