Archive for the ‘★ ★ ★ ½’ Category

The road to happiness is not an easy one. In the new comedy Horrible Bosses from director Seth Gordon (Four Holidays), three friends find that their respectively unbearable bosses are huge obstacles on that road. They have a simple solution. Murder their bosses. What could go wrong?

The answer, of course, is everything.

The film follows three initially separate story lines. Jason Bateman (Paul) is Nick Hendricks, a corporate salary man who [...]

By on August 24, 2011

In 2008, a certain Irish film proved that the f-word can, in fact, be used almost exclusively as an adjective with achingly funny results. It also proved, much to the dismay of Ralph Fiennes, that swans are not everybody’s f***ing thing. If you hadn’t guessed, that film was Martin McDonagh’s In Bruges, and it was nothing short of a masterpiece of pitch-black comedy.

I remind you of [...]

By on August 24, 2011

Less of a horror movie and more of a jet-black satire of good ole’ fashioned American family values, The Woman tackles gender politics in a way you’ve never seen them tackled before. A disturbing deconstruction of misogyny and the abuses of women in both genre films and in greater Western society, the movie is a very new twist on a fish-out of water tale, as director Lucky McKee blurs the [...]

By on August 22, 2011

Joe Wright overcomes an unremarkable plot with distinctive direction in Hanna, a beat-driven action/art-house hybrid that blends East-European iconography with Grimm fairytale fancy.  A departure for the English director, best known for his austere costume dramas including Atonement and the most recent Pride and Prejudice adaptation, the film follows an adolescent girl (Saoirse Ronan) who has been trained by her secret-agent father (Eric Bana) as a cold blooded killer while [...]

By on August 18, 2011

Taking the recent wave of movies depicting “realistic” vigilantes to new and twisted heights, James Gunn’s Super tells the cautionary tale of a downtrodden citizen with apparent psychological disorders who decides to don a mask and take on crime, with less than heroic results. Perverse, violent, inappropriate and bizarre, the film — to take an oft-repeated comparison — plays like a more cultish and extreme version of Matthew Vaughn’s [...]

By on August 8, 2011

I think, in the grand scheme of things, we have reached the end of what can possibly be achieved with a movie about horse racing. We have Seabiscuit for the classic underdog tale, we have Phar Lap for delving into the seedy underbelly of the business and now we have Secretariat for overcoming obstacles that have little to do with actually racing horses. Added bonus? They’re all true stories. Or [...]

By on August 2, 2011

Captain America: The First Avenger, contrary to what the title suggests, is actually the fifth and final film to be released in the lead up to next year’s Marvel superhero mash-up The Avengers. To recap, three of the previous films – Iron Man, The Incredible Hulk and Thor – have told the origin story of the titular superhero, whereas Iron Man 2 [...]

By on August 1, 2011

Although it features all of director Ken Loach’s typical filmmaking and storytelling trademarks, Route Irish has the same basic plot — and the same ultimate point — as countless other post 9/11 thrillers and episodes of 24.

After his best friend Frankie (John Bishop) is killed in Iraq, Fergus (Mark Womack), haunted by flashbacks of his own time in the war, begins to suspect that the private army for which they [...]

By on July 31, 2011